04 December 2015

Vatican, World Bank partner to launch Year of Mercy with St. Peter’s ‘climate change’ light show

ROME, December 4, 2015 (LifeSiteNews) — The Catholic Church, founded to shed the light of Christ on the world, has quite literally invited the world to shed its light on her. On December 8, the Feast of the Immaculate Conception as well as the opening of the Extraordinary Jubilee of Mercy, Pope Francis has invited climate-change partisans and population-control advocates to project a light show onto the façade and cupola of Saint Peter’s Basilica in Rome — the most important church in the Catholic world — so as to “inspire change around the climate crisis.”

The show titled “Illuminating Our Common Home” will project onto St. Peter’s “images of our shared natural world” in order to “educate and inspire change around the climate crisis across generations, cultures, languages, religions and class,” states a press release about the event put out by one of the sponsors.

The Vatican’s spokesperson for the event, Archbishop Rino Fisichella, the president of the Pontifical Council for the New Evangelization, called the event “unique…for its genre and for the fact that it is being displayed for the first time on such a significant backdrop.”

“These illuminations will present images inspired of Mercy, of humanity, of the natural world, and of climate changes,” Fisichella said.

Fisichella said that the light show on the Vatican is meant to link Pope Francis’ environment encyclical Laudato si’ with the United Nations Climate Change Conference (Cop21) currently underway in Paris. The Vatican has shown strong support for the conference.  Having the show conclude the opening Year of Mercy celebrations also links the pope’s message about “mercy” to fighting “climate change.”

Life and family leaders around the world remain skeptical about the Paris conference’s alleged agenda of fighting so-called “anthropogenic” global warming, with some warning that “saving the Planet” in climate-speak translates to an anti-human enterprise that targets nations, societies, and families.

The event, billed as “contemporary public art,” is sponsored by organizations named after Greek and Roman pagan gods that push the climate change agenda and by an organization that directly funds abortions in developing countries.

Behind the show

The main financial backer behind the event is the US-led World Bank Group via its Connect4Climate initiative. The World Bank, created in 1945 to rebuild a war-torn Europe, has a long history (here, here, or here) of relentlessly funding abortion and contraception programs in developing nations under the banner of “ending extreme poverty” and “boosting shared prosperity.” Pro-life leaders have denounced the programs time and again as thinly veiled population control programs aimed at reducing populations considered by Western elites to be undesirable. The organization, through its World Bank Spiritual Unfoldment Society (SUS), also has ties to non-Christian religious practices where employees engage in transhumanistic “meditation sessions” that aim at “personal transformation through self-knowledge, understanding, and awakening higher consciousness.”

Vulcan Inc., founded in 1986 by investor and philanthropist Paul G. Allen, is a private company based out of Seattle, Washington, that “strives to create a new kind of future” by “upend[ing] conventional thinking.” The company was deliberately named after the Roman god Vulcan, the deity of destructive fire, whose earliest known shrine existed in Rome at the foot of the Capitoline Hill, close by the Vatican.

Vulcan’s website states that its founder thought the name seemed fitting for a company “whose mission was to find smart solutions for some of the world’s biggest challenges.”

Another partner of the event is Okeanos, an environmentalist foundation begun in 2007 by Dieter Paulmann with the purpose of raising awareness “concerning the various threats our oceans are facing.” The foundation focuses on “planning, financing and implementation of projects that encompass positive change and make a difference.” It rails against what it calls the “sins against climate committed by…the present generation in particular,” which include “man-made environmental pollution (oil slicks, sewage, chemicals, CO2 production)” as well as “noise pollution (overly loud ships’ engines, sonar experiments).”

The foundation is named after the Greek and Roman Titan god “Okeanos” who was held to be the divine personification of the sea whose fish in one hand and serpent in the other signified his gifts of bounty and prophecy.

Obscura Digital, the San Francisco-based organization putting on the actual show, has its name derived from the Latin root meaning “dark.” The company specializes in creating “immersive experiences that will change the way you think about the world around you” using holographic projections, 3D animation, and dynamic visualization.

Obscura’s team of artists, coders, builders, and technologists are masters of manipulation through light and sound. The organization has in the past (here and here) worked on climate change projects with the UN to show the “effect of human enterprise on the environment” and to issue a “call for global solutions.” The organization’s clients include Apple, Google, Disney, Vulcan Productions, Nike, Nasa, Facebook, and UNESCO.

Dark and forbidding symbolism

There is much dark and forbidding symbolism behind the event and the organizations sponsoring it that is bizarrely connected to pagan occult practices, the worship of nature, and human sacrifice through abortion and population control.

The show is titled “Fiat Lux: Illuminating Our Common Home.” “Fiat Lux” is the first command issued by God at the beginning of creation: “Let there be light.” Instead of the Church presenting Jesus Christ as the light of the world, secular organizations named after pagan gods are literally “obscuring” the Church through their own dazzling light show. St. Paul warns the Corinthians to be on guard about Satan who he says “masquerades as an angel of light.” It’s as if through this phrase the organizers are symbolically taking the place of God and creating the world anew according to their own image and likeness.

The light show takes place on the most important Marian feast day for Catholics, the Immaculate Conception, in which Catholics celebrate Mary being conceived in the womb of her mother Anne without the stain of original sin. Mary has always been viewed by Catholics as an archetype of the Church since she carried Christ within her as the first tabernacle and then bore him into the world. The light show will project onto St. Peter’s, a building representative of Mary, images of earth and animals on her most important feast day. It is amounts to a crude dishonoring of Our Lady.

The World Bank with its hands bloodied by abortion and population control has no place working with the Vatican on a show that allegedly will reveal to the world images of what Archbishop Fisichella called “mercy, of humanity.” This is simply sick and twisted.

The show will certainly contain many “signs and wonders,” but Catholics must decide for themselves how to interpret them.

https://www.lifesitenews.com/opinion/vatican-partners-with-world-bank-to-launch-year-of-mercy-with-climate-chang

My Comment : So now a light show in patnership with the world bank on the most important Marian feast day for Catholics, the Immaculate Conception and this onto the façade and cupola of Saint Peter’s Basilica in Rome — the most important church in the Catholic world and some still ask from us more evidence ? nobody can say he did not know and the famous ! this is out of context or misinterpreted by the Church’s enemies as by medias, thank you to keep it for you, once and for all.

For your information, I am not a Fundamentalist, I am not a Traditionalist or whatever, I am not against any Pope, I have not been converted to became all that, I am a Catholic only and love my Church but mocking our Holy Mother “between the lines and de facto the most evil”, the Mother of the Church on her most important feast day, I am sorry but I can no longer remain silent and who is able of doing this ? probably the one whose head will be crushed soon.

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Our Lady Dishonored ? Important Update

07 December 2015,

Sister Lucia of Fatima to Father Fuentes (December 26, 1957)

The Sin Against the Holy Spirit

“The third reason is because in the plans of Divine Providence, God always, before He is about to chastise the world, exhausts all other remedies. Now, when He sees that the world pays no attention whatsoever, then as we say in our imperfect manner of speaking, He offers us with ‘certain fear’ the last means of salvation, His Most Holy Mother. It is with ‘certain fear’ because if you despise and repulse this ultimate means, we will not have any more forgiveness from Heaven, because we will have committed a sin which the Gospel calls the sin against the Holy Ghost. This sin consists of openly rejecting, with full knowledge and consent, the salvation which He offers. Let us remember that Jesus Christ is a very good Son and that He does not permit that we offend and despise His Most Holy Mother. We have recorded through many centuries of Church history the obvious testimony which demonstrates by the terrible chastisements which have befallen those who have attacked the honor of His Most Holy Mother, how Our Lord Jesus Christ has always defended the honor of His Mother.”

Dear Readers,

Please remember well these words from Sister Lucia of Fatima, the light show scheduled for tomorrow on the more important feast day of our Lady, the Feast of the Immaculate Conception (December 08), is sponsored by longtime anti-christian factions as indicated in the above article, these so called climate-change partisans and population-control advocates as their main financial backer, the so called “World Bank” are known for years for their anti-Catholic doctrine, this light show will be broadcast onto the façade and cupola of Saint Peter’s Basilica in Rome, the most important church in the Catholic world,  this is a sin against the Holy Spirit, an evil act which will have unimaginable consequences for all those who made it, supports, defend and promoted.

I suggest all of you to denounce this evil show, publicly or privately, please do not let your children to watch it in no way because we adults we can still discern but not most children, also and in the context of Garabandal, the main subject of this blog, let me remind you that the access to Garabandal for the D Day will be very difficult, most of us will need the graces of Heaven to be able to be there for that Great Day, so do not mistake yourself, by participating directly (by supporting or by promoting) or indirectly (remaining silent or not to do penance) at this evil show, in my opinion, this could never be forgiven by Heaven, as let us remember again that Jesus Christ is a very good Son and that He does not permit that we offend and despise His Most Holy Mother, we have recorded through many centuries of Church history the obvious testimony which demonstrates by the terrible chastisements which have befallen those who have attacked the honor of His Most Holy Mother, how Our Lord Jesus Christ has always defended the honor of His Mother.

Finally, I don’t want to know how this event could have been authorized in Rome because it does not interest me anymore as this abomination has already been prophesied many times and commonly called Apostasy but in my humble level, I have always considered enemies of our Lady as my own enemies, even though I should not, may God forgive me, thank you.

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16 December 2015

Our Lady Dishonored ? Confirmation

ANALYSIS

ROME, December 15, 2015 (LifeSiteNews) – Despite the striking imagery of last week’s “climate change” light show at the Vatican – its beautiful landscapes, colorful animals, birds, insects, flowers, and sea creatures – many will remember it as an offensive moment when the Vatican partnered with her enemies to use one of its greatest churches, on one of the Church’s greatest feast days, to broadcast a deeply-controversial political statement.

Yet in addition to this basic issue, there are also grave concerns to consider about the nature of the show’s content, and in particular, its apparent use of New Age spirituality.

When LifeSiteNews raised these concerns in previous articles, many were critical, and one writer at the National Catholic Reporter even took it as an occasion to charge us with being “only marginally less deranged” than Planned Parenthood murderer Robert Dear.

Many Catholic observers have argued – speciously, we think – that the show used Christian symbolism. Some have called the show “awesome” and others believe it employed “sound theology.”

Yet those same symbols that could be taken as Christian also have New Age and even demonic significance. Given that the show’s creators have explicitly highlighted the New Age influence, we believe that interpretation for these symbols is vastly more plausible.

‘We have Gaia, and Aya, and Mother Earth appears’

When LifeSiteNews first reported about the Vatican show containing elements of “New Age symbolism associated with ancient pagan deities,” we did not pull this information out of a black hat, but sourced it from the creators of the show – the U.S.-based company Obscura Digital.

Obscura Digital first unveiled the show’s prototype in New York on August 1 when it was projected onto the iconic Empire State Building. The message in both the New York and Vatican shows was the same: man-made climate change is destroying the planet, and along with it numerous animal species. The show’s creators called the New York venue a “warm-up act” for the Vatican.

When Obscura Digital ran this “warm-up act” in New York, they included images of pagan goddesses alongside those focusing on the beauty of creation or the plight of endangered animals.

“We have Gaia, and Aya, and Mother Earth appears,” said Travis Threlkel, founder and creative director of Obscura, in an August interview about the New York version of the show. The greek pagan goddess Gaia is a Greek Mother Earth who has been appropriated by worshipers of nature. Aya is a Babylonian mother goddess associated with the rising sun and with sexual love.

The artist who created these goddess images, “Android” Andrew Jones, said at that time that he wanted to depict Mother Earth in her “fiercest form” to draw attention to what might happen if people ignored the implications of climate change. Jones explained in an interview last month that he uses “psychedelic substances” (mind altering drugs) to help him portray the occult deities accurately. He said the deities are “actively involved, enrolled, and contributing” in guiding his hand as he makes the work.

Among Jones’ creations for the New York show was an image of Kali, the Hindu goddess of death and destruction. Kali, who was depicted with a long blood red tongue and whose name means “the black one,” promises wealth to those who worship her by satiating her lust for blood by human sacrifice. Daily human sacrifices of young children were offered on her altars in India until 200 years ago. She has since been culturally appropriated by New Age spirituality as a kind of Mother Earth goddess.

‘A spirituality that supposedly will save the planet’

Obscura did not include any explicit images of pagan deities in the Vatican show, but observers with knowledge of New Age spirituality nevertheless detected its influence in the show’s images and sequences.

Canadian Catholic artist and novelist Michael O’Brien, for example, criticized the show for offering a spiritual vision devoid of Christianity.

“The underlying ethos was incomplete to say the least,” he told LifeSiteNews.

“The tableau was implicitly religious, offering a spirituality that supposedly will save the planet, as if to say that here is the ‘woman’ (mother earth, the goddess Gaia) to whom we owe reverence, if not worship. It is therefore particularly disturbing that the event was planned for the Feast of the Immaculate Conception, the Church’s foremost feast of the true Woman, the Mother of all Peoples.”

O’Brien said that the show appears to indicate the “Church’s solidarity with concerns over the environment and the condition of select portions of mankind, but criticized a form of “inculturation” where the evangelist “loses the vision of his identity and missionary purpose as a bearer of the one true Light that will save the world.”

“Wherever prudence and clarity are lacking, inculturation easily mutates into assimilation by paganism,” he said.

Prolific Catholic writer Fr. George Rutler has also expressed concern about such an event about science that may have “become a religion” being projected onto St. Peters on the Feast of the Immaculate Conception. Rutler writes in Crisis Magazine,

So it was perplexing, that on the recent Feast of the Immaculate Conception, the feast itself was upstaged by an unprecedented light show cast on the façade of St. Peter’s Basilica, sponsored by the World Bank Group, an environmental foundation called Okeanos, and Vulcan, Inc., a Seattle-based private company dedicated to exposing “sins against the climate.” Sins? These interests may have good intentions, but the parameters of banking and business and academe do not include imputing sin. There may be offenses and even crimes against the balance of the ecosystem, but not sins, unless science really has become a religion. The irony is that many who impute sins to those who disrupt the balance of nature, also defend and promote unnatural acts among humans. Although the Immaculate Conception was neglected in the New Age light show with its flying birds and leaping porpoises, it is consoling to remember that the Virgin Mary was completely free of sins against the climate and left this world without leaving any carbon footprint.

‘New Age and occult’?

Cornelia Ferreira, who holds a Master of Science degree and is an internationally-known writer, lecturer, and author of books and articles exposing the New Age Movement, took her analysis one step further than O’Brien, saying that in her opinion, the show is “definitely New Age and occult.”

“It’s what is often used in mind-control theatre, opening people to occult influences,” she told LifeSiteNews.

Ferreira said the show contains many “levels of meaning.”

“There is the superficial level where one simply sees animals being projected onto a surface. But there is a deeper level when you look at who projected the show and what they used as their backdrop. And there is even a deeper level when you go into the strange symbolism and sequence of events that took place within the show.”

“Most people don’t go beyond the superficial level and are oblivious to the deeper meanings. But this does not mean that the deeper meanings do not influence them. Unfortunately, because of their open minds, they can be influenced all the more,” she said.

Some commentators such as Elizabeth Scalia, editor-in-chief of Aleteia’s English edition, have suggested that elements in the show lend themselves to a Christian interpretation. For example, she wrote, “The projection began with images of white doves, a traditional symbol for the Holy Spirit. The first image was a peacock, a Christ-symbol.”

But Ferreira said that it would be “naive” to ignore all of the occult signs and symbols that appear to have been deliberately inserted into the show by its creators.

“Right near the beginning of the show we see a huge sun rising over the entire front of St. Peter’s. This tells us who is in charge of the production, like credits rolling at the beginning of a film. In occult symbolism, the rising sun represents the ‘new day’ that is dawning upon the masses, a change of direction.”

After the rising sun, the opening sequence, she noted, portrayed a rising moon that was eclipsed, followed by clouds and sky, then by water covering the basilica, and ending with burning candles.

“They are showing the four elements that are worshipped by indigenous peoples [WARNING: occult material], namely earth — in this case the moon, another common element of pagan worship — air, as represented by the sky and clouds, then water, and finally fire.”

“It is a spirituality that has been taken over by the environmental movement, but which has its roots in indigenous and occult spirituality. These symbols are just another sign of who is running the show and what they truly worship,” she said.

Ferreira said that given the deeper significances of the show she was not surprised to see animals projected that are not endangered species.

“Some of the animals that were projected, such as the lion [WARNING: occult material] and the dolphin [WARNING: occult material] also have an occult significance in that they are commonly used as ‘spirit guides’ [WARNING: occult material] by occult practitioners. Bees [WARNING: occult material] are known to be very significant in occult thinking. Also butterflies [WARNING: occult material], which signify change, a powerful transformation. A swarm of bees was shown covering St. Peter’s, as well as hordes of butterflies covering the entire facade, at various points in the show.”

Ferreira also took notice of the soundtrack that accompanied the images.

“The sound effects were typically New Age, with metallic harsh sounds, the tinkling of crystals, heavy breathing, and the eerie chanting of a female singer. The ambiance was heavy and dark. There were nightmare sounds. There was almost nothing here what you would call harmonic or tonal.”

She suggested that the light show could be seen to be an attempt to influence people to worship the earth as god instead of God, the creator of heaven and earth. Such shows, she said, are “being projected on buildings all over the world, and its creators make it clear that their goal is to ‘change consciousness and thinking.’”

Ferreira said the artistic medium of light and sound is the perfect catalyst for manipulating people.

After the rising sun, the opening sequence, she noted, portrayed a rising moon that was eclipsed, followed by clouds and sky, then by water covering the basilica, and ending with burning candles.

“They are showing the four elements that are worshipped by indigenous peoples [WARNING: occult material], namely earth — in this case the moon, another common element of pagan worship — air, as represented by the sky and clouds, then water, and finally fire.”

“It is a spirituality that has been taken over by the environmental movement, but which has its roots in indigenous and occult spirituality. These symbols are just another sign of who is running the show and what they truly worship,” she said.

Ferreira said that given the deeper significances of the show she was not surprised to see animals projected that are not endangered species.

“Some of the animals that were projected, such as the lion [WARNING: occult material] and the dolphin [WARNING: occult material] also have an occult significance in that they are commonly used as ‘spirit guides’ [WARNING: occult material] by occult practitioners. Bees [WARNING: occult material] are known to be very significant in occult thinking. Also butterflies [WARNING: occult material], which signify change, a powerful transformation. A swarm of bees was shown covering St. Peter’s, as well as hordes of butterflies covering the entire facade, at various points in the show.”

Ferreira also took notice of the soundtrack that accompanied the images.

“The sound effects were typically New Age, with metallic harsh sounds, the tinkling of crystals, heavy breathing, and the eerie chanting of a female singer. The ambiance was heavy and dark. There were nightmare sounds. There was almost nothing here what you would call harmonic or tonal.”

She suggested that the light show could be seen to be an attempt to influence people to worship the earth as god instead of God, the creator of heaven and earth. Such shows, she said, are “being projected on buildings all over the world, and its creators make it clear that their goal is to ‘change consciousness and thinking.’”

Ferreira said the artistic medium of light and sound is the perfect catalyst for manipulating people.

After the rising sun, the opening sequence, she noted, portrayed a rising moon that was eclipsed, followed by clouds and sky, then by water covering the basilica, and ending with burning candles.

“They are showing the four elements that are worshipped by indigenous peoples [WARNING: occult material], namely earth — in this case the moon, another common element of pagan worship — air, as represented by the sky and clouds, then water, and finally fire.”

“It is a spirituality that has been taken over by the environmental movement, but which has its roots in indigenous and occult spirituality. These symbols are just another sign of who is running the show and what they truly worship,” she said.

Ferreira said that given the deeper significances of the show she was not surprised to see animals projected that are not endangered species.

“Some of the animals that were projected, such as the lion [WARNING: occult material] and the dolphin [WARNING: occult material] also have an occult significance in that they are commonly used as ‘spirit guides’ [WARNING: occult material] by occult practitioners. Bees [WARNING: occult material] are known to be very significant in occult thinking. Also butterflies [WARNING: occult material], which signify change, a powerful transformation. A swarm of bees was shown covering St. Peter’s, as well as hordes of butterflies covering the entire facade, at various points in the show.”

Ferreira also took notice of the soundtrack that accompanied the images.

“The sound effects were typically New Age, with metallic harsh sounds, the tinkling of crystals, heavy breathing, and the eerie chanting of a female singer. The ambiance was heavy and dark. There were nightmare sounds. There was almost nothing here what you would call harmonic or tonal.”

She suggested that the light show could be seen to be an attempt to influence people to worship the earth as god instead of God, the creator of heaven and earth. Such shows, she said, are “being projected on buildings all over the world, and its creators make it clear that their goal is to ‘change consciousness and thinking.’”

Ferreira said the artistic medium of light and sound is the perfect catalyst for manipulating people.

“The beautiful spectacle of lights and sound leads the viewers on a spiritual path that bypasses rational thinking and normal human judgment. Of course it’s all dressed up as ‘climate change,’ and ‘save the oceans,’ and ‘save the planet,’ and ‘save the animals,’ and that’s what’s so dangerous about it: People buy into it without realizing what they’re doing.”

‘Occult overtones’

Michael Hichborn of The Lepanto Institute, who has studied the occult for nearly 20 years, told LifeSiteNews that the show contained scenes and images that lend themselves to a occult interpretation, especially given the absence of the Christian cross — a key to Christian interpretation — in any part of the show.

“Here’s the problem: occult symbolism is designed to be just that… occult (hidden/secret).  Those who have eyes to see will understand what is dancing around in plain view, but those who don’t believe that there is an occult will scoff,” he said.

“Most people won’t pick up on any occult symbolism regarding the presence of a butterfly. However, practitioners of occult mysticism know the meaning and place it among their artifacts with direct intent,” he said.

Hichborn said he noticed a few scenes in the Vatican light show that lend themselves to an occult interpretation, the most obvious being the scene where halves of people’s faces were shown, with a focus on one human eye.

“The Eye of Horus (All-Seeing Eye, Eye of Providence, etc) is the most prominent symbol of Freemasonry, the Illuminati, and black magic.  It all goes back to ancient Egyptian mythology regarding the Egyptian god Horus. Horus, according to myth, was the son of Osiris. Osiris was killed by Horus’ brother Set, causing a long-standing war between the two. At one point, Set blinded Horus in one eye, but the eye was healed by Thoth. That eye then became a powerful magic symbol.”

“There is no Christian significance to such images. On the contrary, this is a very distinct reference to pagan Illuminism,” he said.

In another scene involving large white doves, Hichborn noted how the birds weren’t flying forwards, but backwards.

“Now, normally, the Holy Spirit is represented by a dove. However, in this show, we hear a crackle of electricity just before we see a dove in flight, flying backwards. Furthermore, the light goes up from below, not coming down from above, to reveal the dove flying backwards.”

Hichborn pointed out how the devil “likes to ape God,” but does so by “copying him in the reverse.” He noted how a Satanic mass is the reverse of a Catholic mass.

Faces, skeletons, strange symbols

There are instances where human-like forms, totem-pole-like faces, and glowing eyes appear at various points within the light show. A few of these instances among many are showcased in the “highlights” video. Their significance may never be known, but the question remains why they were put into a show allegedly about depicting the beauty of the earth.

Ferreira said there is so much happening in the show that it would take months to try to decode it all, and parts of it would still remain a mystery. Despite this, she said that God-fearing Christians do not need to know what all the signs and symbols mean to understand the larger picture of what is happening.

Some critics of the show have speculated that the Vatican organized it without the pope’s knowledge, but that was contested by one of the creators. Louie Psihoyos, who curated the projection alongside Threlkel, said the show was personally “green lit” by Pope Francis and that the pope watched it from his balcony overlooking the square. Additionally, Threlkel said that the Vatican had “surprisingly minimal” input into its creation and that he “[could not] believe how supportive they’ve been.”

https://www.lifesitenews.com/news/vatican-climate-change-light-show-more-than-meets-the-eye

My Comment : First of all I thank again LifeSiteNews for having warned Catholics around the world about this evil show, Garabandal News has been also one of the first blog to copy their article, when I read it myself on December 04, between us I was not really surprised, sad sure but surprised not really, sad especially for our Lady as they of course planned their evil show on her main feast (December 08, feast of the Immaculate Conception), a typical attack of the devil, an act of Spiritual war against God and his Mother and all this in Rome at the Vatican, as a message between the lines for those who could still doublt of their current forces.

The question that every Catholic must now arises is how they have been able to get any authorization from the Vatican to broadcast their show onto the façade and cupola of Saint Peter’s Basilica, the most important church in the Catholic world, at the same place where our first Pope St. Peter was martyred, it’s amazing and scary at the same time, then my Brothers, it’s probably time to put your “armor” because now they do not even hide anymore but never forget, the weakness of the devil as we know, it’s his pride, its end is probably close but that is where he is most dangerous, you take care of your soul and keep and Pray your Rosary day and night, for your armor, the Scapular, this is today an obligation.

 

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